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An Arapahoe fraternity in dancing dress. Fort Reno, 1886



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  • Antelope Dance of the Hopi Indians

    Antelope Dance of the Hopi Indians

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    A group consisting of Hopi men, women and a child carrying objects and wearing regalia, in the midst of a dance or ceremony.

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  • Rain Dance of the Zuni Indians, New Mexico

    Rain Dance of the Zuni Indians, New Mexico

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    Zuni dancers in a line in the plaza of the pueblo. They are wearing masks and other dance regalia.

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  • Fort Reno, 1886

    Fort Reno, 1886

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    View of buildings at U.S. military post in Indian Territory.

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  • Snake Dance of the Hopi Indians at Oraibi, Third Mesa, Arizona

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    Hopi Indian men wearing dance regalia walking in a line past spectators, many of whom are sitting on pueblo wall.

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  • J. M.M. Blunt & Indian Company at Fort Elliott, Texas

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    Views of Walpi, Oraibi and other pueblo villages; Snake Dance at Walpi

    Visual Materials

    Photographs made by Adam Clark Vroman, ca. 1892-1909, spanning various subjects, primarily his bookstore in Pasadena, California, and scenes from his travels. Of particular significance is Vroman's handwritten journal of a trip to see the Snake Dance at Walpi, Arizona, in 1895, written sequentially on the back of 19 mounted photographs. Vroman's traveling companions were Horatio N. Rust, Mrs. Thaddeus (Leontine) Lowe, and Charles J. Crandall, who are shown, along with Vroman, at pueblos, and traveling with supplies and wagons. There are also views of the Grand Canyon and the Petrified Forest. The California images include scenery and travelers in the San Gabriel Mountains, Mount Wilson, Mount Lowe and the Alpine Tavern, and travelers having a picnic; details of missions; historic adobes of Monterey; Rancho Guajome Adobe in San Diego County; Yosemite and one view of Indians living in Yosemite Valley. Locations depicted in other parts of the United States are: Manitou, Colorado; Oregon, Illinois; Niagara Falls; Grant's Tomb; a bird's-eye-view of Santa Fe, New Mexico; and other miscellaneous views. Vroman travelled to Japan in 1903 and 1909, and eight prints in the collection show Japanese men and women in traditional dress, as well as details of architecture. Vroman appears in a few photographs. There are several portraits of Pueblo Indian men, some identified in Vroman's captions.

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