Vista Del Arroyo Hotel bungalow 246, 125 South Grand, Pasadena. 1941

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  Vista Del Arroyo Hotel bungalow, 125 South Grand, Pasadena. 1926

  Visual Materials

  View of a large bungalow at the Vista Del Arroyo Hotel at 125 South Grand.

  photCL 402 (28673)

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  Bungalow at Vista Del Arroyo Hotel with bridge in background, 125 South Grand, Pasadena. 1924

  Visual Materials

  Exterior of bungalow at Vista Del Arroyo Hotel, 125 South Grand. Multilevel terraced house is built into the side of the hill. The Colorado Street Bridge is in the background on the left.

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  Vista Del Arroyo Hotel bungalows, 125 South Grand, Pasadena. 1926

  Visual Materials

  View of a row of bungalows at the Vista Del Arroyo Hotel at 125 South Grand. The buildings are perched on the edge of a steep hill.

  photCL 402 (28675)

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  Vista Del Arroyo Hotel bungalow, 125 South Grand, Pasadena. 1926

  Visual Materials

  View of one of the bungalows of the Vista Del Arroyo Hotel at 125 South Grand. A path leads up to the building which is perched on the edge of a hill.

  photCL 402 (28671)

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  Vista Del Arroyo Hotel, 125 South Grand, Pasadena. 1935

  Visual Materials

  View of the Vista Del Arroyo Hotel at 125 South Grand from under the Colorado Street Bridge. An unpaved path leads to a wooded area downhill from the hotel.

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  Pasadena. Vista Del Arroyo Hotel. 125 South Grand. Christmas in Bungalow 246, interior

  Visual Materials

  The Harold A. Parker Studio Collection of Negatives consists of 5157 glass plate negatives, film negatives, and panoramic negatives, 1889-1949, that depict commercial, residential and landscape sites in and around Pasadena and Southern California. The images provide a look at the commercial, residential and social development of Pasadena and surrounding areas during the early years of the twentieth century. The collection is especially rich in images of residential architecture in Pasadena, Altadena, and San Marino; images of Lake Tahoe; depictions of, and activities at, the Raymond, Maryland, and Huntington Hotels in Pasadena; and the commercial, social and cultural landscapes of Pasadena. The collection also provides, through its breadth and depth of subject matter, an example of the career activities of a commercial photographer in Southern California in the early years of the twentieth century.

  photCL 402