Verso

In "The Artist's Garden: American Impressionism and the Garden Movement, 1887–1920"—the exhibition on view in The Huntington's MaryLou and George Boone Gallery through May 9—you can catch a glimpse of a 19th-century innovation

Ralph Arnold (1875–1961) was an eminent petroleum engineer, geologist, local Pasadena resident—and an avid photographer. Photography was an essential part of his fieldwork, but he also used the medium to document his family life.

Kyoto-based landscape architect Takuhiro Yamada stood in The Huntington's Japanese tea garden and gazed at the trees and shrubs near the Seifu-an teahouse. For inspiration, he closed his eyes and imagined that he was in Japan.

Tomorrow The Huntington will cohost the second day of Caltech's sixth biennial Francis Bacon Conference, "General Relativity at One Hundred." The conference runs from March 10–12, with the first and third days taking place at Caltech.

Meet Huntington volunteer Dennis Harbach. Over the past two years, Harbach has laughed, cried, and winced his way through the gargantuan task of producing searchable metadata for the satirical cartoons in the Paul Conrad papers.

A major U.S. exhibition on Flemish master portrait artist Anthony van Dyck (1599–1641) opens today at New York's Frick Collection. The Huntington has its own van Dyck story to tell. At its center is the artist's beautiful full-length painting Anne (Killigrew) Kirke

Surprise! There are 11 new acquisitions on view in one room in the Virginia Steele Scott Galleries of American Art right now. That's great news for neophiles, and even greater news for fans of representational art from the mid-20th century.

The Huntington is rightfully known for its collection of British portraits. Most of these are the product of a professional association between artist and client. For example, Thomas Gainsborough's dazzling full-length portrait of Elizabeth Beaufoy (circa 1780)